Orchestral
Thaleia – flute concerto | (2023/24) | 21’ | 3.3.2.2. – 4.0.0.0. – hp. 2 perc. – solo fl./picc. – strings (10.8.6.4.2.) | Performance materials: available here |
Voix Terrestre | (2022) | 23’ | string orchestra | Performance materials: available here |
Voix Céleste
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(2021) | 15’ | string orchestra | Performance materials: available here |
Somewhere in the Distance (Lost in the Horizon)
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(2021) | 19’ | spatialised orchestra with ondes martenot and tape (4[B.Fl].2.4[B.Cl].2. – 4.2.2.1. – ondes – 7.3.2.1.) | Performance materials: available here |
An Ocean of Years | (2019-21) | 21’ | symphony orchestra (2.2.2.2. – 4.2.3.1. – 2 Perc. Cel. Hp. – 7.6.5.4.3.) | Performance materials: available here |
Eternity in an hour
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(2018/19) | 14’ | symphony orchestra (2.2.2.2 – 4.2.3.1. – Timp. Cel. – 8.7.6.5.4.) | Score and programme notes: available here
Performance materials: available here |
Eternal Return
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(2018) | 7’ | symphony orchestra (3.3.3.3.A.Sax. – 4.3.3.1. – 4 Perc. Timp. Hp. Cel. – 7.6.5.4.3.) | Score and programme notes: available here
Performance materials: available here |
Man Made
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(2017/18) | 20’ | Soprano and Chamber Orchestra 2(picc.A-fl).0.2(B-clar.db-clar).2(dble bsn). – 2.0.0.0. – perc – str: 4.0.3.2.1. | Score and programme notes: available here
Performance materials: available here |
Aimless Wonder
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(2017) | 30’ | 2 horns and string orchestra (0.0.0.0. – 2.0.0.0. – str (vl solo, va solo, vc solo)) | Score and programme notes: available here
Performance materials: available here |
Sympathetic Resonance
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(2015) | 10’ | symphony orchestra (4.4.4.4.- 4.4.4.1. – 1 timp. 3 perc. 1 hp. 1 pno. – 16, 14, 12, 10, 8.) | Score and programme notes: available here
Performance materials: available here |
Isolarion - Rituals of Resonance
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(2012/13) | 20’ | symphony orchestra (3.3.3.3. – 6.4.3.1. – 6 perc.1 hp. 1 pno./cel. – 7.6.5.4.3.) – | Score and programme notes: available here
Performance materials: available here |
Clear Night
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(2007/08) | 5’ | symphony orchestra (3.3.3.3. – 4.3.3.1. – 2.1.1. – 7.6.5.4.3.) | Score and programme notes: available here |
From Bursting Suns Escaping
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(2006) | 3’ | symphony orchestra (3.3.3.3. – 4.3.3.1. – 2 perc. 1 hp. 1 pno. – 7.6.5.4.3.) | Score and programme notes: available here |
Aspects of Radiance
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(2005) | 10’ | symphony orchestra (2.2.2.2. – 4.2.3.1. – 2 perc. 1 hp. 1 pno. – 6.5.4.3.2.) | Score and programme notes: available here |
Ensemble
The Oddity Effect | (2024/25) | 30’ | S.A.T.B. Choir (16 voices), 1.1.1.1.-1.1.1.1.- 2 perc. 1 pno. 1 synth – 2.2.2.1. | Performance materials: in preparation |
Figures in a landscape (awaiting eternity) [spatial version] | (2023) | 50’ | On-stage: clarinet, violin, cello, piano; Off-stage: trumpet, organ, spatialised string ensemble | Performance materials: in preparation |
Hölderlin’s Madness | (2023) | 35’ | mezzo soprano, flute, clarinet, theremin, E-guitar, percussion, piano, violin, cello, electronics | Performance materials: in preparation |
Invisible Threads | (2022-23) | 70’ | vocal sextet (S.S.A.T.Bar.B.), bass clarinet, accordion, string quartet | Performance materials: available here |
The Singing Tree | (2018 – 2022) | 45’ | 5 vocal soloists (S.M-S.T.Bar.B), Children’s Choir, Large Ensemble | Performance materials: available here |
Zwischen den Sternen
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(2018/19) | 40’ | 8 players: flute/bass flute, bass oboe, clarinet/contrabass, scordatura piano, percussion, string trio (violin, viola, cello doubling on scordatura instruments) | Score and programme notes: available here
Performance materials: available here |
In the Midst of the Sonorous Islands
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(2016) | 30’ | 16 players: flute, oboe, clarinet, bassoon, horn, trumpet, trombone, tuba, percussion, harp, piano, violins, viola, cello, double bass; and entire audience participation (using tin foil, baoding balls, triangles, harmonicas and glass bottles) | Score and programme notes: available here
Performance materials: available here |
Open to Infinity: a Grain of Sand
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(2015) | 10’ | 15 players: flute, oboe, clarinet, bassoon, horn, trumpet, trombone, vibraphone, harp, pi-ano, violins, viola, cello, double bass | Score and programme notes: available here Performance materials: available here |
Layers of Love
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(2015) | 11’ | 13 players: alto flute, cor anglais, bass clarinet, bassoon, horn, flugelhorn, trombone, tuba, violins, viola, cello, contrabass | Score and programme notes: available here Performance materials: available here |
The Years of Light
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(2013/14) | 14’ | 2 voices and large mixed ensemble (25 players): soprano, mezzo soprano, 2 trumpets, 2 clarinets, 12 harmonicas, 3 flutes, percussion, harp, piano/celeste, 3 cellos |
Score and programme notes: available here |
Remember the Golden Age?
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(2014) | 7’ | 12 Harmonicas and 1 percussion | Score and programme notes: available here |
Fragments for Eternity
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(2012) | 7’ | 7 – 9 players: soprano, flute and/or alto flute, trumpet, 2 percussion, harp, viola and/or cello | Score and programme notes: available here |
Looking for the Land that is Nowhere
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(2010) | 14’ | 9 players: theremin and scordatura string octet | Score and programme notes: available here |
Noctilucence
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(2009) | 12’ | 8 players: flute, clarinet, glockenspiel, piano, string quartet | Score and programme notes: available here |
In Time Entwined, In Space Enlaced
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(2008) | 10’ | 9 players: flute, cor anglais, clarinet, 3 percussion, violin, viola, cello; and 36 audience harmonicas. | Score and programme notes: available here |
Seeking sweet springs
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(2007) | 7’ | 9 players: flute, clarinet, alto saxophone, percussion, guitar, violin, viola, cello | Score and programme notes: available here |
Under Heaven sometimes
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(2006) | 10’ | 8 players: shakuhachi, sho, oboe d’amore, clarinet, viola, harp, 2 kotos | Score and programme notes: available here |
Chamber
3 Hölderlin Songs: I would sing of thee, but only tears | (2024) | 15’ | voice, theremin, tuned glasses, musical saw, e-guitar | In preparation |
Figures in a landscape (awaiting eternity) [chamber version] | (2024) | 20’ | clarinet, violin, cello, piano | In preparation |
Shadowy fish
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(2020) | 17’ | ‘trout’ quintet: violin, viola, cello, double bass, piano | Score and programme notes: available here
Performance materials: available here |
This present moment used to be the unimaginable future...
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(2019) | 20’ | string quartet | Score and programme notes: available here
Performance materials: available here |
Inner Landscapes (piano quintet version) | (2019) | 20’ | piano, string quartet | Performance materials: available here |
I wandered for a while...
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(2019) | 7’ | piccolo, cello, bells, electronics, piano | Performance materials: in preparation |
Sardinian Songbook
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(2018) | 15’ | string quartet | Score and programme notes: available here
Performance materials: available here |
Tuvan Songbook
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(2016) | 15’ | string quartet | Score and programme notes: available here
Performance materials: available here |
Lahara | (2015/16) | 13’ | percussion sextet | Performance materials: available here |
In Late Night I Thank Cage
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(2014) | 3’ | 7 players: soprano, mezzo, 2 alto flutes, harp, viola, cello | Score and programme notes: available here |
Isolarion II | (2012) | 7’ | brass quintet (2 trumpets, horn, trombone, tuba) | |
Sai Ma/Racing Horses
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(2012) | 5’ | string quartet | Score and programme notes: available here |
TRIO: In Space Enlaced | (2008/2012) | 10’ | flute, oboe, clarinet | Performance materials: available here |
TRIO: In Time Entwined
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(2008) | 7’ | bass flute, cor anglais, viola | Score and programme notes: available here |
Equinoxes of the Infinite
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(2008) | 8’ | 2 pianos, 2 percussion |
Solo/Duo
Lost in the Horizon | (2022) | 7’ | solo piccolo and pre-recorded bass flutes | Performance materials in preparation |
The Singing Sea | (2018) | 5’ | tuba solo | Performance materials in preparation |
Inner Landscapes | (2018) | 17’ | piano solo | Performance materials: available here |
Remembered Radiance | (2018) | 18’ | piano (+ tibetan bowl) and percussion (2 rin, harmonica) duo | Performance materials in preparation |
Bird learning to fly
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(2017) | 7’ | solo scordatura cello: strung with 4 A-strings tuned to partials 8, 10, 11, 12 of a low C-spectrum | Performance materials in preparation |
In a world of invisible waves: a butterfly | (2016) | 5’ | piano solo | Performance materials: available here |
Isolarion III | (2016) | 14’ | piano duo | Performance materials: available here |
Remembered Resonance
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(2014) | 8’ | piano solo with Japanese wind chimes | Score and programme notes: available here |
Learning Self Modulation
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(2011) | 22’ | violin (+ scordatura violin) and piano (+ rin) | Score and programme notes: available here Performance materials: available here |
Incandescence
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(2011) | 15’ | cello solo | Score and programme notes: available here |
On Love and Death – 5 Rossetti Songs | (2011) | 25’ | saxophone and piano (arrangement of song cycle) | |
Heaven’s Chimes are Slow | (2010) | 7’ | flute and piano | |
The Lamp Light in the Willow Trees | (2009) | 9’ | saxophone and cello | |
Efflorescence | (2008) | 9’ | violin solo | |
When Joy Became Mixed with Grief
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(2007) | 8’ | violin solo | Score and programme notes: available here |
…just as the sun is always… | (2006) | 8’ | piano solo | Performance materials: available here |
Choral
The Oddity Effect | (2024/25) | 30’ | S.A.T.B. Choir (16 voices), 1.1.1.1.-1.1.1.1.- 2 perc. 1 pno. 1 synth – 2.2.2.1. | Performance materials: in preparation |
Unseen Seasons
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(2013) | 17’ | A cappella 8-part choir (SSAATTBB) | Score and programme notes: available here |
Vocal
3 Hölderlin Songs: I would sing of thee, but only tears | (2024) | 15’ | voice, theremin, tuned glasses, musical saw, e-guitar | In preparation |
Hölderlin’s Madness | (2023) | 35’ | mezzo soprano, flute, clarinet, theremin, E-guitar, percussion, piano, violin, cello, electronics | Performance materials: in preparation |
Invisible Threads | (2022-23) | 70’ | vocal sextet (S.S.A.T.Bar.B.), bass clarinet, accordion, string quartet | Performance materials: available here |
The Singing Tree | (2018 – 2022) | 45’ | 5 vocal soloists (S.M-S.T.Bar.B), Children’s Choir, Large Ensemble | Performance materials: available here |
The People’s Council Sends a Message to the Viceroy | (2018) | 7’ | Tenor and piano | More information: available here. |
Somewhere between us… | (2014) | 7’ | Amplified SATB vocal quartet, Paetzold bass recorder | Score and programme notes: available here. |
In Late Late Night I Thank Cage
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(2014) | 3’ | soprano, mezzo soprano, 2 alto flutes, viola, cello | Score and programme notes: available here |
The Years of Light
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(2013/14) | 14’ | 2 voices and large mixed ensemble (25 players): soprano, mezzo soprano, 2 trumpets, 2 clarinets, 12 harmonicas, 3 flutes, percussion, harp, piano/celeste, 3 cellos |
Score and programme notes: available here |
Today and Tomorrow | (2011) | 7’ | mezzo soprano, flute, clarinet, piano, violin, cello | |
On Love and Death – 5 Rossetti Songs | (2009-11) | 25′ | soprano and piano | Score and programme notes: available here |
Opera
Remnants | (2016-17) | 70′ | 4 live voices and pre-recorded S.A. choir | further details |
Triptych: Reunion | (2014) | 20′ | 5 voices and tape | further details |
Theatre
As Good a Time as Any | (2015) | Written and directed by Peter Gill | April/May 2015 at The Print Room, Notting Hill |
Making Noise Quietly | (2012) | Written by Robert Holman / Directed by Peter Gill | April/May 2012 at Donmar Warehouse |
The Breath of Life | (2009) | Written by David Hare and directed by Peter Gill | February 2011 at Lyceum Theatre Sheffield |
Another Door Closed | (2009) | Written and directed by Peter Gill | August 2009 at the Ustinov Studio, Theatre Royal Bath |
Dance
As if it was my first and last… | 2008/09 | 15’ | For the breath sounds of three dancers | Choreographers: Christina Towle and Laurance Pages Collaboration at Abbaye de Royaumont as part of the project Transforme: L’Espace (2008/09). |
BLOB | 2008/09 | 15’ | electronic music | Choreographers: Emily Gallier and Clémence Coconier Collaboration at Abbaye de Royaumont as part of the project Transforme: L’Espace (2008/09). Performances: |
Multimedia/Installation
in unknown elements… in endless transmutation… | (2023) | 50’ | Quadraphonic sound installation | |
A Kingfisher dives into the sun… | (2019) | 24’ | electronic soundscape with video (made in collaboration with James Stephen Wright) |